14A, 114 minutes
Phillip Seymour-Hoffman; Catherine Keener
On Nov. 16, 1959, Truman Capote noticed a news item about four members of a Kansas farm family who were shotgunned to death. He telephoned William Shawn, editor of The New Yorker, wondering if Shawn would be interested in an article about the murders. Later in his life, Capote said that if he had known what would happen as a result of this impulse, he would not have stopped in Holcomb, Kan., but would have kept right on going "like a bat out of hell."
"Capote" is a film of uncommon strength and insight, about a man whose great achievement requires the surrender of his self-respect. Philip Seymour Hoffman's precise, uncanny performance as Capote doesn't imitate the author so much as channel him, as a man whose peculiarities mask great intelligence and deep wounds.
Roger Ebert - rogerebert.com