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1942 (Michael Curtiz) , 102 minutes

Humphrey Bogart, Ingrid Bergman and Paul Henreid

Against the electric background of a sleek cafe in a North African port, through which swirls a backwash of connivers, crooks and fleeing European refugees, the Warner Brothers are telling a rich, suave, exciting and moving tale in their new film, "Casablanca," which came to Hollywood yesterday. They are telling it in the high tradition of their hard-boiled romantic-adventure style. The story, as would be natural, has its devious convolutions of plot. But mainly it tells of a tough fellow named Rick who runs a Casablanca cafe and of what happens (or what happened last December) when there shows up in his joint one night a girl whom he had previously loved in Paris in company with a fugitive Czech patriot. The Nazis are tailing the young Czech; the Vichy officials offer only brief refuge and Rick holds the only two sure passports which will guarantee his and the girl's escape. But Rick loves the girl very dearly, she is now married to this other man and whenever his pianist sits there in the dark and sings "As Time Goes By" that old, irresistible feeling consumes him in a choking, maddening wave. 

Bosley Crowther-New York Times